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                                            <image:caption>Photograph by Liza Zilver</image:caption>
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                                            <image:caption>Foto: Liza Zilver</image:caption>
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                                            <image:caption>Photography: &lt;a href=&quot;https://manonhertog.com/&quot; target=&quot;_blank&quot;&gt;Manon Hertog&lt;/a&gt;</image:caption>
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                                            <image:caption>Documentation of paper sheets</image:caption>
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                <image:image>
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                                            <image:caption>Documentation of clay and ceramic process</image:caption>
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                        <loc>https://joana-velu.com/my-body-my-vessel,-my-body-my-shelter-1</loc>
            
            
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                                            <image:caption>First smaller sculpture</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Process larger work (before firing) </image:caption>
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                <image:image>
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                                            <image:caption>Work after firing with sinterengobe glazing&lt;br /&gt;
technique 
</image:caption>
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                <image:image>
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                                            <image:caption>glazing and (sinter)engobe test tiles, color study</image:caption>
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                <image:image>
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                                            <image:caption>experimenting with scale and shape</image:caption>
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                        <loc>https://joana-velu.com/love-letters-1</loc>
            
            
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        </url>
            <url>
                        <loc>https://joana-velu.com/let-the-(fake)-coral-snake-guide-you</loc>
            
            
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                                            <image:caption>Do you trust me? &lt;br /&gt;
&lt;br /&gt;
“The ‘real’ Coral snake is one of the most venemous snakes in the world containing powerful neurotoxins that paralyze the breathing muscles. One bite puts a human life at risk. Yet, they show their true colours upfront and they will only bite you as a last recourse to protect themselves. &lt;br /&gt;&lt;br /&gt;
The ‘false’ or ‘fake’ Coral snake looks identitcal and mimicks the ‘real’ one, however, does not have the glandulas that produce venom dangerous to us humans. &lt;br /&gt;
&lt;br /&gt;
Now, what do you prefer? Someone who is honest about their capacities and intentions, or someone who acts like they could do you harm - but aren’t as powerfull as they present themselves? &lt;br /&gt;
&lt;br /&gt;
What about you? Do you tend to see people as a potential threat or do you trust them easily? Do you trust yourself in trusting others? Do you trust me? May I trust you?&lt;br /&gt;
Shall we be dangerously honest with each other?”&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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        </url>
            <url>
                        <loc>https://joana-velu.com/soil-whispering</loc>
            
            
            <lastmod>2026-03-29T07:26:23+00:00</lastmod>
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                                            <image:caption>&lt;span class=&quot;a-bit-bigger-poems&quot; style=&quot;color: rgb(128, 118, 71);&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
Wie kneedt jou, wie kneed jij?&lt;br /&gt;&lt;br /&gt;
Tussen mijn vingers, voelde ik&lt;br /&gt;
je glijden toen ik voorzichtig&lt;br /&gt;
in je kneep en je lichaam kneedde&lt;br /&gt;
in de vorm van mijn verlangens.  &lt;br /&gt;
&lt;br /&gt;
Ik nam je mee naar huis,&lt;br /&gt;
aaide je, in de hoop &lt;br /&gt;
dat je zou spreken.&lt;br /&gt;
Zeg, overstroom ik je&lt;br /&gt;
met woorden?&lt;br /&gt;
Je zweeg. De stilte zei &lt;br /&gt;
zoveel. Alles en niets.&lt;br /&gt;
&lt;br /&gt;
Zo graag wilde ik  &lt;br /&gt;
iets van je maken, &lt;br /&gt;
vergat dat jij al was. &lt;br /&gt;
Ik neem je alleen mee, dacht ik,&lt;br /&gt;maar ik nam je, alsof je van mij was.&lt;br /&gt;
als een scheppend mens, &lt;br /&gt;
dat denkt land te scheppen &lt;br /&gt;
mensen naar de hand zetten,&lt;br /&gt;
alles willen, alles of niets. &lt;br /&gt;
&lt;br /&gt;
Door de takjes en steentjes die &lt;br /&gt;
je bij je droeg, leek het even&lt;br /&gt;
alsof jij mij streelde. &lt;br /&gt;
Al was het de ruis tussen ons &lt;br /&gt;die me raakte, het verzachtte &lt;br /&gt;
mijn intenties. Maakte mij vloeibaar,&lt;br /&gt;
net als ik jou. Nu ben jij niet meer&lt;br /&gt;
de grond onder mijn voeten&lt;br /&gt;
en sta ik niet langer boven jou,&lt;br /&gt;
weet ik dat ik op den duur verga,&lt;br /&gt;
weer een deel van jou word&lt;br /&gt;
en met jou, alles en niets ben. &lt;br /&gt;
&lt;br /&gt;
– &lt;i&gt;Brieven aan de Bodem (series)&lt;/i&gt;, 1 Oktober 2022&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
</image:caption>
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                                            <image:caption>Landscape II, (30 x 42 cm), liquid clay on aquarel paper</image:caption>
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                                            <image:caption>Installation Graduation Show, Gerrit Rietveld Academie, 2021</image:caption>
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                        <loc>https://joana-velu.com/code-noir</loc>
            
            
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                                            <image:caption>&lt;a href=&quot;https://www.mediamatic.net/en/page/28122/anisa-xhomaqi&quot;&gt;Code Noir Dinner, Mediamatic, 2020, &lt;br /&gt;Photograph:
Anisa Xhomaqi&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2353708648904345513947182817469/_XQI9861.JPG</image:loc>
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                                            <image:caption>Code Noir Dinner, Black Achievement Month, Nautadutilh, 2023 Photograph: Marion Visser&lt;br /&gt;
&lt;br /&gt;
</image:caption>
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                <image:image>
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                                            <image:caption>Hortus Botanicus Leiden, 2020&lt;br /&gt;
Performance talk, artistic research&lt;i&gt; ‘How Cassave Travelled the World’&lt;/i&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>&lt;i&gt;How Cassave Travelled the World&lt;/i&gt; (2019), ceramic cassaves fired with pitfire technique, with ash and charcoal. Scheepsvaartmuseum, Amsterdam, 2024
</image:caption>
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            <url>
                        <loc>https://joana-velu.com/projectsworkshops</loc>
            
            
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        </url>
            <url>
                        <loc>https://joana-velu.com/wokrshop-series-intuitive-and-embodied-drawing-workshops</loc>
            
            
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                        <loc>https://joana-velu.com/wokrshop-series-collective-embodied-drawing-workshops-1</loc>
            
            
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        </url>
            <url>
                        <loc>https://joana-velu.com/workshop_w139-x-urgent-ecologies</loc>
            
            
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                                            <image:caption>All photographs: Gerrit Rietveld Academie, Matija Stojanovic 



&lt;br /&gt;
&lt;br /&gt;




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                                            <image:caption>PICTURE gERRIT rIETVELD ACADEMIE, FEDLEV BUILDING, MADE BY

jeroen verrech</image:caption>
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                <image:image>
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                                            <image:caption>PICTURE gERRIT rIETVELD ACADEMIE, FEDLEV BUILDING, MADE BY

jeroen verrech</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://joana-velu.com/een-brief-zonder-woorden</loc>
            
            
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        </url>
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                        <loc>https://joana-velu.com/een-brief-zonder-woorden-centrum-seksueel-geweld</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2346918604716255284369985307044/empty.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;/i&gt;
 &lt;span class=&quot;a-bit-bigger-poems&quot;&gt;&lt;b&gt;&lt;i&gt;“To hold traumatic reality in consciousness requires a social context that affirms and protects the victim and that joins the victim and witness in a common alliance. For the individual victim, this social context is created by relationships with friends, lovers, and family. For the larger society, the social context is created by political movements that give voice to the disempowered.”&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;― Judith Lewis Herman, Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/D2861726825936142608054719242429/iva2bewerkt.jpg</image:loc>
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                <image:image>
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                                            <image:caption>Poort en ingang van het Centrum Seksueel Geweld Amsterdam-Amstelland. &lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt;Locatie:&lt;br /&gt;
&lt;a href=&quot;https://www.google.com/maps/place/Centrum+Seksueel+Geweld+Amsterdam-Amstelland/@52.3707953,4.8620233,17z/data=!3m1!4b1!4m6!3m5!1s0x6e9f581e754e694d:0x36e230dd71c3e1b7!8m2!3d52.3707921!4d4.8666314!16s%2Fg%2F11lyjl1thx?entry=ttu&amp;g_ep=EgoyMDI2MDMyNC4wIKXMDSoASAFQAw%3D%3D&quot; target=&quot;_blank&quot;&gt;Elisabeth Wolffstraat 4, Amsterdam&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt;De hulplijn is 24/7 bereikbaar: &lt;br /&gt;0800 0188&lt;/span&gt;&lt;br /&gt;
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&lt;a href=&quot;https://centrumseksueelgeweld.nl/durf-te-horen/&quot;&gt;#durftehoren&lt;/a&gt;&lt;br /&gt;</image:caption>
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